Category: Arbogast Day

Another year, another Arbogast Day. For those of you who have not been reading kindertrauma since it's inception way back in 1997, every year on the day after Mother's Day we celebrate our ongoing obsession with fellow blogger Arbogast of ARBOGAST ON FILM. We do that by participating in his "The One I Might Have Saved" blog-a-thon that asks bloggers to write an ode for a film character whose death they'd stop if they could.

I personally love the concept behind "The One I Might Have Saved" because I love movie characters. In fact, I may even like movie characters better than "real" people (movie characters never smell and you can mute them.) Arbogast's idea presents a great opportunity to talk about an aspect of cinema that should be discussed more often; how we connect to people through film on a personal level. Anyway, here's my pick for 2010…

LANCE HENRIKSEN "Bishop" ALIENS (1986)

I can't tell you the deep devastation I felt at the moment I first witnessed Bishop's truly shocking death in JAMES CAMERON's ALIENS. (Although his head would go on to do a cameo in ALIEN 3, that does little to weaken the blow.) Here was a character that I grew to love and feel great empathy for over the course of the film. ALIENS is a movie that's difficult to take in lightly; it's an expansive journey that registers as a full experience. By the time the credits roll you have spent some serious quality time with its characters and the investment truly pays off. In the case of Bishop, our perceptions of him change over of the course of the adventure (along with Ripley's.) It's important to note though that Bishop himself does not transform, it's the audiences understanding of him which is altered.

Ripley (SIGOURNEY WEAVER) has proven herself a highly tuned moral compass in the first ALIEN. We trust her without pause to point out the bullshit and lead the way. Because of her negative experience with an android in the first film she takes a clear dislike of Bishop as soon as she learns about that part of his identity. The viewer is meant to hold him with suspicion as well, but we get an early glimpse at his mettle when he declares he prefers to be called the more self-respectful "artificial person" rather than a "synthetic." Our hero Ripley may be prejudiced in the truest sense of word but give her a break, not every bigot has a 57 year coma for an excuse and she does convert her views based on the information she witnesses herself.

We are shown the worst of humanity in the form of the weasely, backstabbing opportunist Carter Burke (PAUL REISER). Bishop, who really does come off as a Zen-like holy man, is shown as his direct opposite. Bishop may be "programmed" to assist and care for humans but he's also programmed for self-preservation. When mid way through the film he volunteers for a mission he's unlikely to survive, there's no question that it's above the call of duty. Not to take anything away from the mostly courageous Marines that loose their lives battling the monster swarm, but as was proven in the first film, it takes more than firepower to survive in the ALIEN universe. Much like Ripley herself, Bishop is a cerebral entity first and an action figure second. He may not carry a weapon but he's smart enough to be in the right place at the right time and he ultimately saves the day.

Like the Replicants in RIDLEY SCOTT's BLADE RUNNER, Bishop forces you to contemplate what makes us human. Considering the behavior of the treacherous Burke we might even wonder if being "human" is anything to be proud of. There's a nobility to Bishop that raises him above those who would call him "false" just because he is different. His sudden evisceration by the Queen Alien, though horrific, is not without its almost crucifixion like beauty. His "otherness" is eventually shown to be an integral strength as even after being torn in half he is still capable of lending Ripley and Newt a life saving helping hand. ALIENS is a rare action movie where a character's actions actually mean something. Bishop allows us to see that being "human" may have less to do with how we are built and more to do with our behavior.

NOTE: At the end of the movie we are shown Bishop's remaining torso being put into sleep along side survivor Cpl. Hicks (MICHAEL BEIHN) so maybe I just wrote this whole thing about someone who didn't die at all. Oh well, he got torn in half for crying out loud, isn't that bad enough?

NOTE 2: Aunt John is at sleepaway camp and can't add his "The One I Might Have Saved" to this year's addition, but I can tell you whom he would have chosen anyway. He was very upset by Megan (GRETA GERWIG)'s death in THE HOUSE OF THE DEVIL. He thought the movie really lost something when she died.

NOTE 3: Check out many more "The One I Might Have Saved" tributes at Arbogast's wonderful blog HERE and have a Happy Arbogast Day!

Was it really a whole year ago that we here at Kindertrauma declared that the day after Mother's Day will forever hence forth be known as Arbogast Day? Check your calendars kids because yesterday was indeed Mother's Day and that means you know what today is… Arbogast Day!

Arbogast Day celebrates all that is fellow blogger Arborgast of the stellar blog ARBOGAST ON FILM. We are not the type to let a restraining order or two cramp our style either. How does one celebrate such a day you may be asking yourself? One way is to spend a moment or two reflecting upon what Arbogast may be doing at this very minute. Is he writing? Is he painting a portrait? Could he be taking a bubble bath or is he more of the shower type?

Another way to celebrate Arborgast Day is to take a cue from the type of post that made him our hero. Arbogast coined the phrase "The one you might have saved," when he waxed philosophic about the horror film victims that maybe should have lived. Of course horror films need their dead folks, but we all have a favorite character or two that we find it painful to say goodbye to. With that in mind both Auntie John and myself have selected our own personal choices of film characters that we wish could have lived. (It is our plan to do this every year on Arbogast Day until such time as we forget to or the world ends.) Check our choices out, tell us what yours are and make sure you stop by and visit good ol' Arbogast HERE!

Aunt John's choice:: THE BAD SEED's RHODA PENMARK

They always say it's a real tragedy when a young life is cut short. Your Aunt John says it's an even greater tragedy when the work of a murderous child is cut short. Had Rhoda Penmark not gone out in a well-lighted blaze of glory at the end of THE BAD SEED, she was to have gone sun bathing on the roof with her frumpy neighbor and pretend Aunt, Monica Breedlove. Based on the final bedtime interaction between Rhoda and her father, the pig-tailed psychopath was set to inherit a lovebird named Sweetsie in the event her Aunt Monica ever died or went away. Rhoda Penmark was a take charge little girl who made things happen, and had she survived that lightening attack on the dock, she would have made that date with Aunt Monica. She would have also facilitated some tragic slip and fall for the bombastic Breedlove and snared herself a lovebird in the process.

It should be noted that Rhoda escapes unscathed in both the novel and play formats of THE BAD SEED; it is her wishy-washy mother that does not survive her suicide attempt. Alas, it appears my poor Rhoda was a victim of the oppressive Motion Picture Production Code (a.k.a. the Hays Code), which forced filmmakers to adhere to the adage "Crime does not pay." I can only reckon that this Victorian approach to film making also dictated the goofy curtain-call tack on in the closing credits in which PATTY McCORMACK politely curtsies for the camera. If you're gonna kill the kid, don't rub salt in my wounds and trot her out like a show pony three minutes later. In killing Rhoda, they also killed off a potentially lucrative franchise. It's a damn shame that we have to live a world where the kid from PROBLEM CHILD can land a two-picture deal, and all McCormack received was a playful spanking from NANCY KELLY. Where is the justice in that?

Unkle Lancifer's choice: BAD DREAM'S LANA

After much thought my "The one you might have saved" ends up being the character of Lana from 1988's BAD DREAMS. I tried real hard to think of a super plucky or noble character from a classic film, but any answer other than E.G. DAILY 's Lana would be a complete lie. Why should I pretend to love Crêpe Suzette when I am always so darn hungry for meatballs? Lana's death is a real shame for many reasons. First off, who wants to see anything bad happen to adorable E.G.? I also gotta admit I love Lana for being such a shivering Chihuahua basket case. I know you are only supposed to like strong willed characters who know exactly what they are doing at all times and always say the right thing, but I've come to terms with the fact that I just don't. Human strength is boring as hell; give me a train wreck any day of the week. Mental patient Lana hides behind her hair and drips pathetic, over sensitivity all over the place like a pelted martyr. That is why I LOVE HER.

Watch what happens when lil' Lana tries to reach out to self obsessed final squirrel JENNIFER RUBIN…

She's Carrie White without the chance of telekinetic redemption, a doormat with a punching bag for a heart. She's also the first victim to kick the bucket. She shows up, whines a bit, has a momentary flash of hope for the future, has said hopes trampled on and then gets drowned by RICHARD LYNCH. Misery, false hope and then death, now there's a character arc I can believe in.

I would have loved to see Lana stick around longer, not to watch her lace up army boots and kick ass but to maybe just be a rock of Gibraltar sidekick with a few hidden talents up her sleeve. I mean, c'mon BAD DREAMS you could have at least had E.G. perform a theme song over the closing credits! Oh Lana, we hardly knew ye and perhaps due to your galactic vulnerability, you actually are BETTER OFF DEAD, but let me tell you, the movie BAD DREAMS would have been better off with a double dose of E.G. and a lil' bit more of that sacrificial Lana.

A video that sports not only E.G DAILY but fellow "One I might have saved." AMITYVILLE 2: THE POSSESSION's DIANE FRANKLIN? How appropriate is that for Arbogast Day?

BY THE BY: Every Arbogast has his day, but the night belongs to Amanda! Check out Kinder-chum Amanda by Night's up to the minute report on made for television remakes HERE!