Â

your happy childhood ends here!
Â
Â
There are few moments in any film that still haunt me from childhood. I was into horror films whole-heartedly at a young age, my cherry-popper being the original NIGHTMARE ON ELM STREET on VHS at around 1st or 2nd grade. After that I went through the HALLOWEEN's, FRIDAY the 13th's, and subsequent ELM STREETS's like a fire burning through southern California in October. I feel compelled to write about one such film that still creeps my once-Catholic soul. Since the only thing as a youth that really scared me was being in church, I still get that bottomless pit stomach feeling when I hear the song, "God is in His Holy Temple…" from POLTERGEIST II. It's the Reverend Henry Kane who can send me back to being 8 years old. Carol-Anne had it rough, the scene in the strip mall when Kane comes up and sings that creepy song to her, holding her hands, smiling at her with those huge teeth, I'm surprised HEATHER O'ROURKE didn't need therapy after that. What really gets me to this day is when Kane comes strolling up to the house in the rain, singing his song, and asks to be let inside. As he peers deeply into CRAIG T. NELSON's eyes, he starts predicting his fears and inadequacies as a husband and father. Then, more forcefully through the screen door, he demands, "Let me in!". If I recall that part in a dream tonight, there is a good chance I might wet the bed. Those old man teeth, those piercing eyes, the hat, that whole religious zealot personality that says "Hey, come join us for the mass suicide!" It proves that religious folks with a scary hats can be just as frightening as a masked guy with a knife. When He screams, "You're gonna die in hell! All of you! You are gonna die!" it's perfectly chilling and holds up just as well today as it did in 1986. Let's not forget the song, "Earthly thoughts, be silent now…".
Â
I saw a lot of terrifying movies growing up in long island mostly at my friend John's house who's mother didn't care about what we watched and it was usually what people would consider not appropriate for children… [I] had to pretend I didn't see a lot of these movies later on for my mom. When I was 8, we watched part of Lucio Fulci's ZOMBIE, which all I remember was the shark, the ripping and devouring of human flesh like it reminded me of a big sloppy meatloaf cake. We both ran out of the house grossed out but it was kinda fun to run away from creepy things that can't possibly get you.
Remember kids, write in so we can post your TRAUMAFESSION and then you can be all cool like Eric!
Â
Â
INDELIBLE SCENES(S):
You knew it was just a matter of time! It's not cheap maintaining the lifestyle we've grown accustomed to. Yoo-hoo baths and mallomars don't grow on trees! Kindly visit our new sponsors frequently. And remember if you can't read the text it simply means you have a detached retina and are going blind! Go buy a cane!
Â
INDELIBLE SCENE(S):
Â
Â
Dear Heather, by rights you should have been our very first TRAUMATOT but we were at a loss to try to find the words to describe your Herculean influence on KINDERTRAUMALAND. You owned POLTERGEIST, and though some say you toy-phoned in your performances in 2 and 3 to that we say …P'SHAW! Our only wish is that we could have seen you in parts 4,5 and 6!!! Â
Poor Jessica, she just got released from a four month stay at a mental institution and she ain't feeling so great. I guess riding around in a hearse and making crafty tombstone rubbings on tissue paper isn't as therapeutic as you'd think. ZOHRA LAMPERT not to be confused with TYNE DALY stars as the twitchy title character in this spooky and subtle sleeper. She along with her long-suffering husband BARTON HAEYMAN from THE EXORCIST have just escaped the chaos of New York and bought a beautiful house in the New England countryside. They've even brought along a bug eyed walrus-faced pal named Woody to help with the apple orchard. Yes, all Jessica needs is a little fresh air and some peace and quiet and maybe she'll stop having those nasty audio and visual hallucinations. When they arrive at what is referred to ominously as, "The old Bishop place" they find an ethereal red headed squatter named Emily. You can tell this film takes place in the seventies because instead of shooting her in the face and calling the cops, they invite her to stick around, drink some wine and play MELANIE type songs on her guitar. Inevitably hubby and hottie hippy chick share horny glances and Jessica begins her nosedive into full blown madness. You'll be right there with her because the most impressive thing about this movie is that it locks you into it's unreliable narrator's head and it does not let you go. There's a near constant clammer of subtle and not so subtle sounds, creakings, moanings, whispering voices, some are Jessica's "Don't tell them, they won't believe you!" and some are not, "I'm in your blood!" There's also an overwhelming sense of internal isolation that brings to mind CHARLOTTE GILMAN's famous short story THE YELLOW WALLPAPER. The plot is as evasive as a wraith. It goes from psychological thriller to ghost story to vampire tale and back again and it's impossible to put your thumb down on what's really going on. Unlike most films where the audience is asked to view things miles ahead of its protagonists, you never have any more information then Jessica does. We begin and end our story with Jessica floating in a small boat pondering what she has experienced– "Nightmares or dreams, madness or insanity, I don't know which is which…" Don't be surprised if by film's end you wind up in the same perplexing boat.
INDELIBLE SCENE(S):