Category: Uncategorized
The Wolfman (2010)

There are two movies I can always count on to put me in the proper spooked-out, gleefully morose mood I crave. They are both seriously flawed yet provide the comfiest old fashioned creep quilt you'd ever want to bask beneath. BRAM STOKER's DRACULA(1992) is lush and sweeping, though famously marred by dingbat acting and TIM BURTONS SLEEPY HOLLOW(1999) is brisk and haunting, though convoluted and scarred by numerous doofus moments. Well, I'm happy as hell to add THE WOLFMAN to my short list of beautiful losers; it is a relentlessly gorgeous visual stun-athon that hits the ground running but ends up stumbling and falling on its face like a damsel in knotted woods. The good news is that this wolf's room emptying flatulence takes place so late in the party that you can only shake your head and chuckle at it as you push it out the door.
Does anyone else think that BENICIO DEL TORRO resembles DEAN STOCKWELL mixed with BRAD PITT's way hotter brother? There is inspired casting everywhere you look here folks and although ANTHONY HOPKINS is a ham and cheese hot pocket, that's what he's paid for. I know that I'm a sucker for all things pasty and raven haired, but EMILY BLUNT and her ice shard eyes are almost too much for me to bare. I've had a mild case of stalker love for her ever since WIND CHILL but now I think it's time to start cutting out letters from magazines and assembling a message for her eyes only. Man oh man this movie with its lantern lit caravans, leather bound libraries, silver canes and whiskey drinks, gnarled branches and autumnal fervor is just plain ravishing. I seriously just wanted to walk into the screen and stay there forever; y'all know what you can do with your iPads and GA-GA's (No offense, fame monster!)
So how's the story (or the wolf's tale?) well for the most part great. It all pretty nicely moves up to an incredible peak at a mental institution where our pal Larry gets the FRANCES FARMER treatment. In fact, the psychological spine of this flick is sort of a reverse FRANCES that replaces mommy issues with daddy ones. Maybe a subtler approach would have worked better here (we are basically dunked into an icy bath of HOPKINS' Freudian faux-pas) but it's an undeniable super blast watching the inevitable head shredding of numerous head shrinkers.
Now I don't want to get too spoiley here but things do go downhill eventually. The films climax borders on cartoon ridiculous and the father /son conflict becomes a tiresome diversion from what's really interesting about THE WOLFMAN, the subjugation of our animal impulses. The final battle we are shown doesn't even visually mesh properly with the rest of the picture. Whereas before we were shown awesome half-man/half-wolf hybrids suddenly there are fuzzy super hero creatures bouncing around. Any CGI subtly you may have been hoping for is (literally at one point) thrown out the window.
I bet you dollars to dog biscuits that this BATTLE OF THE GARGANTUANS looking ending (I'm not exaggerating by the way) was part of the film's notorious reshoots. The only thing that scares me more than the idea that Hollywood thinks audiences are so dumb that they need this type of crap to enjoy a film is the idea that Hollywood may be right. THE WOLFMAN was doing quite fine without the adolescent action figure shit and a more somber conclusion was called for.
The fact that THE WOLFMAN revealed its desperation and lap dog subservience in the end does not spoil the fact that me and the old boy had an excellent run. I'm sure that future viewings will smooth my distaste for the third act but I'm sending out a prayer for an alternate director's cut of some sort anyway. THE WOLFMAN is mostly just too goth-glorious to miss, my eyeballs are still writing home about it as we speak. It's sad though that certain people could not trust the tale enough to allow it to take its natural course. As usual, somebody somewhere confused setting the beast free with pulling in the reigns.


Name That Trauma :: Reader J.R. on Public Access Programming

I recall that when I was in high school, there were a variety of educational, "after school special" kind of shows that would air on one of the local public access channels. They were all pretty old (from the ‘70s and ‘80s, and they dealt with the subjects that one would come to expect from such programming (alcoholism, dating, illness, friendships, etc.)
When I was 18, in the spring of 2000, (maybe a little too old to be scared by a public access show??), I was home early from school after exams. I happened to flip to the public access channel, which was airing a show about a young mother living with HIV. She had two young children, and I believe she had moved in with her sister so her sister could help care for her and her kids. This all sounds fairly innocuous, and at first it was. However, during the last 10 minutes or so, things began to change. First, there was a scene where the kids and their mother were playing a board game (maybe Monopoly?) because they were stuck inside due to the rain. The scene cuts to the kitchen, and all of a sudden one of the kids runs into the room and yells, "Aunt so-and-so, mommy cut her hand in the living room and there's blood everywhere!!" Then you see the mother with her bloody hand wrapped in a towel or something.
Things became even more unsettling in the next scene (after the bleeding had stopped). It's the middle of the night, and the mother is sitting alone in her bedroom with the lights on, and she's staring into a mirror, covered in sweat, and sobbing. The camera then zoomed in on her face, all sweaty and teary, and lingered there for about ten seconds before her sister came in and consoled her. That scene really freaked the shit out of me. What added to the creepiness of this show was the face of the woman who played the mother; she had a really nasty, curly brown rats' nest of hair, and her features were very harsh and angular. I recall that her lips were very thin and almost pursed as well.
The last thing I remember is that the show ended with the woman and her sister saying the rosary on the porch, and during the credits, the name of some Catholic production company came up. I don't know if anyone out there has seen this, but it really disturbed me at the time I saw it. I really love the site, and I hope someone out there has seen this show and was also disturbed by it. Thanks!

Trauma-tune:: BLOODY BIRTHDAY 1979
Kindertrauma's interweb BFF, Buzz, the genius behind the immortal CAMPBLOOD, and the au courant HOMO HORROR BLOGTASTICO unearthed gold recently and it was just so kinder-fantastic we had to share it with you, our dear readers. Â Behold the wonder that occurs when SMASHING PUMPKINS have a BLOODY BIRTHDAY…
Kindertrauma Sells Out!
You knew it was just a matter of time! It's not cheap maintaining the lifestyle we've grown accustomed to. Yoo-hoo baths and mallomars don't grow on trees! Kindly visit our new sponsors frequently. And remember if you can't read the text it simply means you have a detached retina and are going blind! Go buy a cane!
