kindertrauma

Five Underrated Flicks by Mathew A.

Posted on By unkle lancifer

Yo, Kindertrauma pals! It's been some time since I last wrote about underrated horror flicks (I submitted 3 picks HERE a few years ago), but your recent Labor Day list inspired me and got me thinking about some horror movies that just don't get the love they deserve. As always, I completely understand that it's all in the eye of the beholder, and you might clutch your pearls at some of these being described as "underrated", but, in the end, it's just one simple horror fan's opinion. Now, let's grab a rusty, blood-stained garden spade and dig in!

Boogeyman 2 (2007)

I totally get why people dislike the first one; it's boring, not scary IN THE LEAST, and has absolutely nothing special to offer. The second one, on the other hand, was a huge surprise for me. It made its arrival direct-to-DVD with little fanfare in 2007, and, as I recall, has nothing really to do with the first film. Perhaps zero expectations helped with this, or perhaps I just love Renee O'Connor (yep, she who played Gabrielle in the sorely missed Xena TV series), but I found this to be a blast. It basically plays like an old-school slasher where patients walk around a mental hospital and get picked off in gruesome ways. It's all rather simple, and I LOVE simplicity when it comes to these movies. It also has Tobin Bell of Saw fame playing a creep-tastic psychiatrist.

Snow White: A Tale of Terror (1997)

Not sure if "underrated" is the correct term to use here, honestly. Perhaps it's just not as well-known in horror circles. Either way, this hauntingly beautiful yet gruesome take on the familiar story brings the horror in quite heavy doses. Let's be honest here, the original Brothers Grimm tale is pretty horrific, and certainly nothing like the popular Disney version. Sigourney Weaver is chilling as the evil stepmother, and the dark themes from the fairy tale are all intact. Also, did I mention how stunning this film looks? It's a purdy one, that's for sure.

Dead Silence (2007)

This might shock you, but I actually prefer this over director James Wan's more popular films, such as Insidious or The Conjuring. I can't say that it's super scary, but pretty much any movie with creepy dolls or ventriloquist dummies gets an automatic pass from me. And I make NO APOLOGIES for that. The visuals in this thing are insane, especially that ending! Again, it very well might be a case of style over substance, but I simply can't help it. Gotta call it as I see it, and I love what I see here. Also, let's give it up to Donnie Wahlberg, an always welcome (at least by me) presence in these genre films.

Valentine (2001)

This slasher came out right as the late ‘90s teen horror fad was dying out (see below for more on that). Clearly, judging by how this film was received, most people were perfectly fine with that. I'm pretty sure even I recall finding the whole thing a little "eh" when I first saw it in theaters. I was also in high school at the time, so what the hell did I know? Viewing it years later, I have a newfound appreciation. It's actually a pretty cool slasher, very old-school by design, and I absolutely love the killer's mask. Remember how I mentioned I love simplicity in horror films? I also have a weakness when it comes to slashers. Horror films were moving away from slashers during this period and towards those with more supernatural elements and Asian horror remakes. We also had a glut of those movies where the killer ended up being a figment of the protagonist's psyche, or some such psychobabble. When all is said and done, all I really want is an actual, flesh-and-blood killer with a decent motive. Too much to ask?

I Know What You Did Last Summer (1997), Disturbing Behavior (1998), and Urban Legend (1998)

OK, OK, I know… I'm cheating here and I don't care. In my opinion, these 3 films, among others, get unfairly criticized and lumped in with the various Scream knock-offs of the mid-to-late ‘90s. Well, I think they're great. Horror fans tend to snub their noses at horror flicks from this time period, but I have mostly fond memories. IKWYDLS and Urban Legend are pretty straightforward slashers with memorable villains and decent kills, while Disturbing Behavior has a more teen-thriller vibe with some science fiction elements for good measure. Another positive for me with these flicks: they all have plots that remind me of those R.L. Stine and Christopher Pike teen horror novels that were so popular back in the day.

I don't mind if you judge me. Perhaps one day I will look back at this list and judge myself. But for now, I think I'm going to go dust off my copy of Urban Legend and get lost in a time when all we needed to enjoy a horror flick was a killer in a parka with a sharp axe and a fixation with Tara Reid. Rock on, fellow horror fans!

~ Matthew A.

Sunday Streaming: Frightmare (1983)

Posted on By unkle lancifer

Often I've revisited a movie that I wasn't too keen on originally to find that I have a new fondness for it. In the case of 1983's FRIGHTMARE, nearly the opposite is true. It bowled me over upon first view and now I think that was more of a right place, right time sort of thing. It just goes to show you how outside factors can really influence a person's feelings about something and how the old thumbs up or thumbs down, "good" or "bad" system of rating movies (or anything) is pretty dumb (or at least shortsighted and limiting).

If I remember correctly, I saw FRIGHTMARE sort of spur of the moment. My Dad took my brothers and I to see some action movie (I'm picturing BLUE THUNDER in my head but I could be wrong) and once we got to the theater, I saw the poster for FRIGHTMARE and naturally had a strong pull toward that instead. (No shade toward BLUE THUNDER intended). Somehow I was able to finagle my way into seeing FRIGHTMARE by myself while everybody else bonded over explosions in the theater next door. Seeing any horror movie in the theater was pretty exciting in those days but there was something especially thrilling and liberating about seeing one by myself. It felt like a fence had been trampled over and I was standing over a cliff and if I leaned too far over, I had nobody to pull me back.

FRIGHTMARE is about a group of crafty kids who are such big fans of celebrated horror icon Conrad Razkoff (played by slightly less celebrated horror icon FERDY MAYNE) that they steal and desecrate his recently deceased corpse and trigger supernatural shenanigans that insure their own doom. What's great about FRIGHTMARE is how it's all about horror films and fandom and how it marries old school gothic horror with the popular tropes of the day and (most especially) how it features a mansion and a decapitation. The effect looks pretty standard today but in 1983, I remember it being quite the money shot.

What's NOT so great about FRIGHTMARE is that it's way too dark (was it always this dark? I can't believe that) and it has a frustrating habit of mumbling and meandering. I don't mean to be an ingrate to this B-movie that once gave me shelter when I was green, it's just that JEFFREY COMBS is in it (rumor has it, he was cast for his resemblance to the already-made decapitated head prop) and once you realize that in two years he'd be put to full, impossible-to-ignore use in RE-ANIMATOR, the whole affair starts looking even soggier by comparison.

FRIGHTMARE is available to watch free online thanks to TROMA. It's doubtful it'll rock your world but it's got some cool ideas even if their execution is wanting. (There's also a CHILDREN SHOULDN'T PLAY WITH DEAD THINGS moral flapping around which I'm totally down with and adamantly adhere to. You really shouldn't force a dead body to dance with you without expecting it to kill you later). In any case, it'll always have a special chair at my table for initiating me to the fine art of going to the cinema solo. I'm also granting it one extra flapjack for featuring the guy who played Porky in PORKY'S and one extra peanut butter pinecone birdfeeder for being so thrifty as to borrow its poster art off of FROM BEYOND THE GRAVE.

Betsy's Black and White Horror Show

Posted on By unkle lancifer

The other night like many horror fans I'm sure, I went to sleep watching BETSY'S WEDDING (1990). Don't judge, I've got a giant stock of sleepy time VHS and I know what I'm doing. Anyway, BETSY'S WEDDING was kinda rubbing me the wrong way with its ambivalent, leaning towards garish visuals and so I decided to tone that shit down by removing all the color via my remote and switching my TV to black and white. Then, who would have thunk it, but BETSY'S WEDDING transformed into some lost, mid-level WOODY ALLEN jaunt and I found myself engrossed with the courtship of ALLY SHEEDY and ANTHONY LaPAGLIA (who incidentally steals the film entire).

I still fell asleep before it was over but the black and white switcheroo was a success. I should not have been surprised at all really, because I had already learned this lesson with THE MIST and GHOST STORY (thanks to Fascination with Fear!) Anyway, I decided to leave my TV black and white for a while and watch some horror movies and see what this homegrown gimmick works with. I wouldn't even try it with something like SUSPIRIA in which color plays such an important role in the film but I've got a feeling that some films might only be complimented by the new garb. Here's what I tried…

HELL NIGHT (1980)

The frat party beginning is a toss up but Garth Manor and black and white work wonders together. Suddenly we could be just down the road from THE HAUNTING.

GHOSTKEEPER (1981)

Holy crap this movie just gets better each time I watch it and you know the snow graduates to a whole other level of engulfing in B&W. How will I ever repay Amanda by Night for turning me on to this fine film? A fruit basket is in order.

THE DEAD ZONE (1983)

Speaking of snow, Geez, isn't THE DEAD ZONE beautiful? I Love me all types of CRONENBERG but on a visual level I think it's my favorite of his. Black and white really brings out the beaten down and past its prime small town atmosphere and the gazebo scene somehow becomes an even bigger knock out (if that's possible). I feel about THE DEAD ZONE in black and white, the way the lady below feels about a certain curtain store….

ALIEN (1979)

Dare I? I'm so far gone at this point I went one even better and watched ALIEN not only in B&W but on a VHS tape so old, it has the nerve to boast about being in HI-FI stereo on the cover! Dead media and backwards technology makes me giddy. I feel like lil' COREY FELDMAN in FRIDAY THE 13TH: Part 4 when he discovers the view from his new bedroom window.

FIDAY THE 13TH (1980)

I might as well at this point! I did just happen to pick up a used copy of the original on VHS this year just so that I could hold it in my hand again. I gotta say, this always-reliable classic worked a far sight better than I imagined it would. Color is not a very significant factor in F13th, in fact, it rarely comes into play but the black and white sure does a lot to deepen the woods and sense of isolation and it sure makes my pal Mrs. Voorhees lovely white sweater pop out against the night sky! That reminds me, me and your Aunt John were at a bar the other day (actually, right after my first draft of this) and they had a TV set to an obscure Game Show channel featuring a game show in B&W and guess who was a panelist? BETSY PALMER, the patron saint of broken cars and serendipitous career opportunities!! Of course I took a picture for you….

Done. Now I'm going to play Michael Jackson's "Black or White" in an effort to alienate any stragglers who didn't stop reading at the mere mention of BETSY'S WEDDING. Am I the only one not buying GEORGE WENDT as Mac's dad? I totally get TESS (AMITYVILLE 3-D) HARPER as his mom though: they've both got that that Midwich Cuckoo look. Let me know if you guys have any other ideas as to what color horror films might work well in B&W!I'm on a roll so far and open to suggestions.

Sunday Streaming:: The Slayer (1982)

Posted on By unkle lancifer

Why do I pretend not to be obsessed with 1982's THE SLAYER when I clearly am? I think we all know it owns my brain! Read a full review for the underrated nightmare of nightmares HERE and check out our old pal looking as sharp and handsome as I've ever seen it below!

Five Underrated Flicks Labor Day Weekend Special!

Posted on By unkle lancifer

Hey look, I went and did a Five Underrated List just like I said I might! Sorry we're going to skip the FUNHOUSE today because I got all wrapped up in this thing! All you kids are invited to do a list too so feel free to send one in! As always don't do it for me, don't do it for you, do it for all those nice movies that never hurt anybody. Let's get started!

THE THING (2011)

Let's get my most shameful offense out of the way first. My name is Unkle Lancifer and I'm a fan of that THE THING movie from 2011. I don't mean I enjoyed it enough to write this mostly positive review back HERE, I mean I've watched it about six or seven times in the last couple years. This may make some folks begin to doubt my commitment to Sparkle Motion or at least JOHN CARPENTER's 1982 take on JOHN W. CAPBELL, Jr.'s "Who Goes There?" but I swear you can enjoy both!! Is this coming from the same guy who was foaming at the mouth about the POLTERGEIST re-do on account of it failing to capture the proper tone? Yep, that's just it, 2011's THE THING does a pretty admirable job of convincing it is at least aware of what made its predecessor great. It's not always successful but I appreciate the effort. The ending battle is a bit wonky (so is 1982's) and some of the special effects are off (so are some of 1982's- I can't be the only one who finds the "Blair spreads Garry's face apart with his hand" effect a dud) but the location feels pretty spot on or maybe (probably) I'm just a sucker for shape-shifters in the snow movies. Trust me, I'm not trying to convince you that it can hold a candle (or a lighted flare?) to CARPENTER's classic (who expected it to?) I just think it's a reasonable tribute that's highly watchable despite its flaws that got a super raw deal thanks to a confused marketing campaign. Well, I enjoy it anyway and like I said…snow.

THEY (2002)

Who should ever listen to my opinion when I somehow like the horribly reviewed THEY? Maybe I should watch this one again before I stand up for it. Then again, is it any surprise that I should fall for a movie involving childhood trauma, nightmare creatures that could be cousins to THE BOOGENS (or DON'T BE AFRAID OF THE DARK's "walnut-heads" or those crazy flying spines in 1993's NECRONOMICON), and features some waif-y FARROW-esque neurotic who at least in one version gets trapped in an alternative hell dimension? Plus BUFFY alumni! Hey, at the time I was itching for something outside the teens being chased by a psycho routine and this one fit the bill and gave me some creeps. Does it make sense? Does it hold up to any scrutiny whatsoever? I dunno, I saw this before I pretended to care about such things. Thanks to reader johnnyblackout for reminding me about this one!

THE CURSE (1987)

I remember staring at the poster for this one in front of a long gone movie theater thinking because WIL WEATON was in it, it must be for kids and not a wise, mature adult like twenty-year-old me! Eventually I caught up to it on VHS and thought, "Oh this isn't for kids, it's for insane people." Finally when it came out on DVD, THE CURSE and me understood each other! I think what happened was that over the years many an Italian movie taught me to appreciate the expressionistic side of horror and to stop being so literal all the time. As far as LOVECRAFT adaptions go (THE CURSE is based on "The Color Out of Space"), few films have captured that weird sense of existential nausea he conjures quite like this. There's a rather convincing layer of queasy madness to this movie that I've got to tip my hat to and it doesn't hurt that it features such TV luminaires as CLAUDE AKINS and JOHN SCHNEIDER. Additionally, I wouldn't throw CURSE 2: THE BITE (which is included on the DVD) out of bed for eating crackers either. The story is unrelated but it stars JILL SCHOELEN and features SCREAMING MAD GEORGE special effects so it's not unrelated in its underrated awesomeness, if that makes sense.

HELL NIGHT (1980)

Everybody loves HELL NIGHT, so why the hell am I wasting this slot to sing the praises of a movie that everybody already loves? Why, one would have to be a braying jackass of some sort not to like HELL NIGHT! Here's my thing: I feel like some folks have an almost condescending, "Isn't it adorable?" wink-wink, nudge-nudge, cutesy neon eighties let's chuckle awhile, pat it on the head and send it on it's way attitude toward HELL NIGHT (which is fine I guess) whereas I'm thinking it's more of a sterling masterpiece that should be dipped in gold and sent to the Smithsonian type of thing. I don't know if you have to watch it a million times for this effect, but THE MUSIC alone is so majestic (I can hear it right now) I can barely stand it. Better yet, no matter how many times I visit Garth Manor, it still remains mysterious to me. Even though I know they filmed in the same ten-foot cavern back and forth over and over again I'm still convinced there are miles of underground tunnels and hundreds of other rooms waiting to be explored. I understand there are more frightening, suspenseful and gory films out there but HELL NIGHT just hits the perfect pitch for me every time and I want to live inside it forever.

AMITYVILLE II: THE POSSESSION (1982)

Aw geez, my five picks are already up! There are so many more movies to choose from but this one has been on my mind lately (ever since we mentioned BURT YOUNG in BLOOD BEACH) and besides the voice in my Walkman is pretty much insisting upon me picking it. I feel like this movie is on a whole other plane than the rest of the AMITYVILLE series. It achieves something that feels so dark and much worse, authentically dark and there's such a depressing tragic tone to it all. It's a haunted house flick, a killer on the loose movie and a possession/exorcism movie all wrapped up in one. Most importantly, it's its own beast through and through. I can't think of any movie quite like it and I can guarantee you there will never be anything else like it again. I don't think this movie could be made today.To save myself from repeating myself, I'll direct you to a full review HERE and close out with ultimate selling point: DIANE FRANKLIN is in it.

THE RUINS (2008)

I'm going to cheat and squeeze this one in here because I'm starting to second guess my decision to allow the more talked about AMITYVILLE 2 have the last chair. BLOOD BEACH also had me thinking about killer plant movies and beyond the classic DAY OF THE TRIFFIDS and the musical comedy LITTLE SHOP OF HORRORS the best one I could think of was the more recent THE RUINS (2008). Wasn't that a cool movie? It's not as good as the book, of course, but considering how difficult it would be to make the subject matter work off the page it's pretty impressive and around here we give big giant gold stars for originality and going against the grain. Beyond the killer shrubbery stuff, THE RUINS has a truly disturbing infection-paranoia angle that will really get under your skin (See also LEVIATHAN and even THE CURSE above).

SUPER SPECIAL LABOR DAY WEEKEND BONUS PICK: SERIAL MOM (1994)

Serial Mom should be watched by horror fans every Labor Day weekend if you ask me. Even if you are not a fan of JOHN WATERS' humor (I guess there's just two kinds of people …) you shouldn't allow yourself to miss the many horror movie and video store references that are sprinkled throughout the film. It's really a gold mine for the eyes if you dig spotting old VHS tapes and this is one of the very few films that I think might be worth seeking out in HD. Geez, how did I forget to mention it in that 40 NON-HORROR MOVIES FOR HORROR FANS list we did with The Meep? All right, I think my 5 underrated looks suspiciously like 7 underrated. I best split. Have a great Labor Day weekend folks and Summer, don't let the door hit you on the way out.

Name That Trauma:: Carol on a Mannequin with Headphones PSA

Posted on By unkle lancifer

 

 

I have grown up in the NYC area my whole life, but this was probably a nationwide PSA that I have only seen once and never again. Saw it before I turned 10.

I believe it was for some organization or institute: a featureless, unmoving mannequin head and neck in a dark room with faint lighting. In slow shots that faded from one scenario to the other there was the sound of some large noise (probably construction work); then a pair of headphones on the mannequin with audible music; then some other loud noise (probably trains in the subway).

The part that creeped me out was the final shot of the mannequin head, each ear having a glowing red spot and the shrill, deafening sound of what seems to be tinnitus from the exposure to all of those intense decibels. The high-pitched ringing seemed to go on forever but probably lasted for a few seconds at most. I do not recall if there was a narrator at any point in this, but I do believe this was from the late 80s.

I haven't a clue where to begin my search! I know the Kindertrauma family are super spies and I just know it can be figured out. Even without an answer, I think you guys are great besides!

– Carol

 

 

Thank You, Wes Craven (1939 – 2015)

Posted on By unkle lancifer

Don't you hate when you hear that somebody has died and then you go to sleep and later when you wake up you find out that they're still dead? I do. Maybe I should consider a less passive course of action when confronting life's unpleasantries but I swear, this sleeping and re-setting plan has worked on several occasions! In any case, I think Wes Craven would understand my logic. If you are a horror fan, I'm sure you've heard that yesterday Mr. Craven died. I urge you to seek out the words of those who actually knew him and worked with him. He was a true great and loved by many. All I have to offer is some remembrances of a lifetime of watching his films but luckily, around this joint, that's what it's all about. It would be virtually impossible to be a horror fan and to not be affected by his work.

THE HILLS HAVE EYES (1977)

This may not be Wes' first film but it's my first film of his. HILLS was a notorious late night staple in my house growing up back when there was six channels to choose from. Here in Philly I'm guessing it played after eleven on either Channel 17 or 48. The title alone would fill me with dread. I'm pretty sure I tapped out long before the end credits threatened to roll and I'm going to cite this movie as an early indicator that I worry about the safety of dogs more than I do human babies. Is that wrong?

SUMMER OF FEAR (1978)

As I recall, when this made-for-TV witch flick aired it was called A STRANGER IN OUR HOUSE but the big-boxd THORN EMI VHS tape I rented from STAGE DOOR video at the King of Prussia Mall called it SUMMER OF FEAR. This is one of my favorite Craven offerings and I suspect I'm not alone. Tame though it may be by horror standards this baby kicked off my life long love affair with both witch movies and usurper comeuppance flicks. LINDA BLAIR pouting in a fro with giant red blotches on her face is pretty much exactly what I picture my very soul looks like.

DEADLY BLESSING (1981)

One of my earliest and fondest experiences seeing a horror film in the theater and yes, I snuck in. Full review HERE.

LAST HOUSE ON THE LEFT (1972)

Ack. For years and years this was a very hard watch for me. For some strange reason even though this film is filled with brutal rape and murder the idea of a person being forced to pee in their own pants sticks out in my brain as the height of depravity. I can actually watch this movie fine now because I demystified it by reading a book about its making (by DAVID A. SZULKIN). The POV image used on some ads that featured the three attackers looking down upon the victim inspired a bunch of paintings I did in college (though I may have changed them to aliens) and even a Kindertrauma FULL HOUSE parody.

A NIGHTMARE ON ELM STREET (1984)

I had a horrendous drug experience as a teen. I can only pull it about half way out of the cupboard in my brain otherwise I'll get freaked again. A friend and I were offered some pot and so we smoked it. We were then informed by the laughing psychotic who offered it to us that it was laced with angel dust. What then happened, for what seemed like forever, was hell on Earth complete with hallucinations and promises of death pouring out of the radio. It was an absolute nightmare and I think I got to experience my own death a couple hundred times that day. I tell you this because believe it or not, that experience was what came to my mind the first time I saw ANOES. Maybe I had post traumatic stress disorder or something but I assure you that I did not find Freddy Krueger a cute wise cracking anti-hero when I first met him. He scared the living daylights out of me. Freddy's ability to bend reality and basically do whatever the hell he wanted (like fitting behind that tree! Like stretching his arms across an alley!), terrified me to no end and I basically half expected him to pop up in my very own, recently made unsafe dimension.

NEW NIGHTMARE (1994)

Wrote a review back HERE but mostly see above.

SCREAM and SCREAM 4 (1996 and 2011)

Yikes, that bad memory makes me want to wrap this up. In 1996 the horror genre was crying because it was basically in a boat not unlike the one it's in today. Sure there's always earnest and interesting indie fare guppies flopping about but who cares when you're starving for a humongous game-changing fish? SCREAM was a serious breath of fresh air and even though it probably caused another rut to eventually come about, it also spurred a lot of great stuff too. All I know is that after I saw SCREAM I had to drag friends to see it too and that's the best review I can give a movie. I don't have to tell you about that opening scene! You know!

And I love SCREAM 4. The second one is darn good (besides the singing), I'm one of those people who don't care for the third (Today I'll blame the cinematographer) but I do love Part 4 (I probably explain why in this old review HERE and here's an entire SCREAM-a-thon HERE.). I'm just sad (and a little greedy) that it's his last.

Anyhoo, thanks for all the memories, Wes both good and bad and fond and not so fond. Craven brought so much to horror that nobody else could and he saw the value and meaning beyond the surface and made sure his audience did too. He was a chronically innovative artist and storyteller and he broke new ground and paved the way more times than he is given credit for. When he hit, he hit hard and when he missed he missed hard but the misses never stopped him from moving on and hitting that nail right smack on the head again like nobody else could. How many times did he revitalize the entire genre? What are we going to do without you Wes? Who will save us now?

Sunday Streaming:: Blood Beach (1980)

Posted on By unkle lancifer

Thanks to a genius advertising campaign, BLOOD BEACH (1980) looked like it might be the coolest movie ever made before it came out. The poster was sharp as a knife and the tagline threatened a menace with the capacity to sink JAWS. I recall ominous radio spots that would stop me in my tracks and take a look at this TV ad…

I wasn't old enough to go see it but my older brother was and I couldn't wait for him to fill me in with details and tell me how great it was like he had with FRIDAY THE 13th. That would never happen because his opinion after seeing it was "It sucks, the monster is a plant." I'm don't think I completely believed him but it wasn't long before it popped up on VHS (everything cool back then was on the MEDIA label) and I was able to watch it myself and verify that my brother wasn't lying; it did suck and the monster was a plant! Many years later I sought out BLOOD BEACH for nostalgic reasons and to reaffirm what I already knew (that it sucked and the monster was a plant) and it was nowhere to be found. Really, I bumped into just about every other VHS tape I set my mind to eventually but that one (perhaps knowing that I didn't truly love it) avoided me like the plague.

Times changed, computers took over the world and eventually sneaky movies couldn't hide from anybody anymore because horror convention bootleggers and good ol' YouTube don't play around with coy wallflowers. Unfortunately these versions of BLOOD BEACH have always looked like crap or more accurately, crap's long lost cousin many generations removed as seen through a screen door while wearing scuba goggles filled with Karo Syrup. In fact, it was just a couple months ago I searched for BLOOD BEACH on YouTube and that's all I found. But look, some angel saved the day! Somebody posted a respectable version of BLOOD BEACH! It's even an extended cut, which I assume includes the famous few seconds of extra grossness that was added to appease the German audience! Check it out! I's like the difference between MASH and AfterMASH…..

Does it make the movie any better? Does it make the monster less of a plant? Maybe a little and nope! For me, BLOOD BEACH the movie will never be as large as BLOOD BEACH the anticipation but I still have a fondness for it because the concept, no matter how poorly executed, still thrills me a bit. Sure, the pacing leaves a lot to be desired (and then some and then some more) but on the plus side, it uses its location well enough, represents its time period fairly well and it's got your favorite dad from A NIGHTMARE ON ELM STREET, JOHN SAXON and your not so favorite dad from AMITYVILLE II: THE POSSESSION, BURT "You think that's funny?" YOUNG! If all else fails, it's a great way to visit the beach without getting sand in your drawers! Let's watch it below! Hurry up! Labor Day is right around the corner!